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Unfortunately, after a jaunty, semi-musical first half-hour, despair becomes the prevailing emotion. By the one-hour mark the returns have diminished pretty severely. The deliberate pacing, which actually served the comedy well in the early scenes, becomes something of a liability as the laughs becomes more sporadic. The dull, dingy pastel color scheme becomes increasingly suffocating. The vignettes become ever more mundane. The injection of political commentary into the pastiche does little to shake the feeling that this is a live-action cartoon. What Andersson achieves here is occasionally funny in the same way that Jacques Tati's movies are funny, but it rarely manages that master's level of visual complexity or wit. Nonetheless, despite any shortcomings, this is not a work to be ignored. Andersson's detailed, largely static compositions beg to be seen on as big a screen as possible. To complain that his skits are difficult or boring to sit through because they seem too close to the pain of daily life is to pay them some kind of a compliment.
Rating: 55/100
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